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with Violence and Kirsten Kilponen

Schliemann-Mella Hall

In a durational performance, where people can come and go, KAYA creates a sanctuary space. The character of the bear is present, as a kind of “healer” with a giant LED light necklace being charged on a “charging station”. A leather wall divides the space for privacy and intimacy, while the short video clips from “baerenzwinger” appear on and off and by moving the projector around in the space. The interaction with the audience is multilayered and within KAYA’s sanctuary space a cleansing ritual takes place.